Police Officers

Fanon believed that native and colonial cultures were incompatible. He explained that when a native adopted the colonial culture, he/she would abandon his/her own. However, due to the racism practiced by the colonials, the native would face an internal conflict. This is because practicing the colonial culture still did not make him/her an actual colonial. The native would ask himself who he was and what his culture was because every society has its own unique culture. The movie “La Haine” expands on this. In the movie, we see characters who adopt the foreign culture to try to become members of the society. However, in the heat of racism, they realize that they have not been behaving as themselves. Forcing the natives to adopt the colonial or foreign culture creates a room for racism. This is because discrimination of the natives will occur for not adopting the culture. Fanon believed that if an individual adopts a new culture, the individual will eventually face a conflict in their personality, a view that is backed up by the movie La Haine.

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In “La Haine”, Vinz, one of the characters, has an internal conflict, which expands on Fanon’s views. On the one hand, France is seen as a racially diverse state. There are people from different parts of the world living there. On the other hand, people of a different descent face racial discrimination and targeted violence. There are three main charterers in the movie who live in impoverished multi-ethnic neighborhoods. These places are filled with violence, and the living conditions are poor. These ethnic people held a riot, and the Parisians responded by sending police officers. The police officers arrived and killed a friend to the three main characters. This catalyzed the transformation of Vinz. He adopted a gangster life-style, which was different from his culture. He even adopted the use of arms and ammunition as per the gangster lifestyle (Kossovitz, 1995). However, when he was about to kill a police officer, he faced an internal struggle. Realizing that this was not his ideal behavior, he changed his mind and did not kill the police officer. This further shows that adopting a foreign culture leads to an internal conflict because the adopted culture is different from the original one.

Another character, Hubert, also undergoes an internal conflict. Hubert is displayed to be an Afro-French. He adopts a culture that is foreign to his. He starts dealing drugs as a means of making some extra money. He adapts to the lifestyle that he is subjected to up to the point where he figures out that his living conditions are not favorable to him. He adopts a society with violence and hate. He also turns to drug dealing. However, one day he figures out that there has to be more. Though he lacks the means to get out of the society, his adopted lifestyle is conflicted with his Afro-French culture. He finally feels bad about his lifestyle and expresses the desire to leave that lifestyle.

Parisians are welcomed with violence upon visiting the banlieue because the residents resent them. Those who are discriminated against do not have fond emotions towards those who discriminate upon them. In the movie, we see the Parisians facing some violence in the banlieue. In the beginning of the movie, we see clashes between the police force and the residents of the banlieue. The clashes quickly turn violent, and the police fire their weapon, killing one of the residents. The residents do not take it fondly. In the end, they respond with violence.

Parisians are injured when in contact with the residents from the banlieue. The riot subsides, and Vinz, who adopted the gangster lifestyle, comes across a gun that dropped by one of the police officers. Vinz makes a promise to himself that if their shot friend dies, he will use the gun to kill one of the police officers (Kossovitz, 1995). On one occasion, Vinz does get an opportunity and injures one of the police officers.

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The Parisians are not welcomed in the banlieue. It can be seen from the different incidences of violence that the Parisians face. Due to discrimination, many blacks behave differently with their black peers and with the whites (Fanon, 2008). The immigrants who are the minority do not like it when their discriminators enter their location. They respond with ferocity. This shows that anyone from Paris can be identified and discriminated against while in the banlieue.

The residents from banlieue are placed under constant police scrutiny. These residents are immigrants and can be identified from a distance as being different. This could be based on their color or even the way they talk. This makes them a ready target for anyone who is racist. When the three main characters made it to Paris, the Parisians were not pleased to see them. They were easily identified and subjected to violence. For one, the residents were under constant police scrutiny (Kossovitz, 1995). This could be based on a belief that a certain race is likely to cause harm. Therefore, the police officers put a closer eye on them.

After escaping to Paris, the three main characters figure out that they are not entirely welcomed to that area. They are subjected to violence by the police officers up to a point where they decide to run away from Paris. However, they miss their train and end up sleeping on the streets (Kossovitz, 1995). This further proves the fact that they are no longer welcomed in Paris because no one shows any interest in helping the three. They too are not willing to ask because of the risk of being further abused.

The three characters end up in a Paris jail with the Parisians. While in the jail, the police officers make fun of them and one of them sarcastically asked is Said’s name is French (Kossovitz, 1995). This shows that the Parisians only accept those who are like them. Those who are not are discriminated against and mistreated.

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There is a means of transport that allows for the movement between the two areas. The two areas are separated by some distance, and the residents are fenced inside the housing areas. This separation allows for the two regions to exist separately without their activities being affected by each other. The residents from both Paris and banlieue are seen to move from their original location to the next. It is not until the police shooting and the escape of the three main characters that we know how they travel. They travel through the use of a train.

There are various tactics employed in the movie that represent the space. One of them is the use of deep space. This tactic is used to show how far the actors are from certain objects in their environment. This tactic is used a few times, for example when the actors are on a raised ground, with Paris behind them. The camera shows the background first, and then it moves onto the actors so as to show how far the background really is (Kossovitz, 1995).

Another method is frontality. This method is used to minimize the space between the audience and the actors. In this method, the camera is directly facing the actors. In the movie, the proximity of the actors reduces the distance between the audience and the actors. As a result, the audiences do not seem to be watching the movie from a great distance; it will feel like it is right in front of their faces. Sometimes the actors can even speak to the camera to make it more realistic. In the scene with Paris background, the camera is in front of the three main actors (Kossovitz, 1995). The audience feels like they are the third actor and part of the ongoing activity.

In summary, Fanon argues that the native culture and the colonial culture are incompatible. This means that an individual cannot practice two cultures simultaneously. This is because adapting a foreign culture creates an internal conflict, especially if the natives are discriminated against. During discrimination, their differences are highlighted, which catalyzes their internal conflict. As a result, the two cultures are not compatible. The movie “La Haine” proves this assumption by Fanon to be true.

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